• “The best singing came from British mezzo
    Kathleen Wilkinson as Brigitta.
    Firm of tone, well modulated, gracefully
    phrased and with good diction”

    Michael Kennedy – Opera Magazine review of Die Tote Stadt
    at The Royal Opera Covent Garden

  • “Kathleen Wilkinson’s strongly sung
    and characterised Mother Goose appeared
    well capable of running a brothel”

    The Stage review of The Rake’s Progress
    at The Royal Opera House Covent Garden

  • “Ce sens des caractères suscite une vie scénique intense, suractive,
    qui profite avant tout à quelques chanteurs acteurs surprenants.
    …Auntie, la formidable Kathleen Wilkinson,
    décidément plutôt bonne fille que maquerelle”

    Review in Concertclassic of Peter Grimes
    by Jean-Charles Hoffelé at Opéra de Lyon