• “The best singing came from British mezzo Kathleen Wilkinson as Brigitta. Firm of tone, well modulated, gracefully phrased and with good diction.”
    Michael Kennedy – Opera Magazine review of Die Tote Stadt at The Royal Opera Covent Garden
  • “Kathleen Wilkinson’s strongly sung and characterised Mother Goose appeared well capable of running a brothel.”
    The Stage review of The Rake’s Progress at The Royal Opera House Covent Garden
  • “Ce sens des caractères suscite une vie scénique intense, suractive, qui profite avant tout à quelques chanteurs acteurs surprenants. Auntie, la formidable Kathleen Wilkinson, décidément plutôt bonne fille que maquerelle.”
    Review in Concertclassic of Peter Grimes by Jean-Charles Hoffelé at Opéra de Lyon