Michael Kennedy – Opera Magazine review of Die Tote Stadt at The Royal Opera Covent Garden

“The best singing came from British mezzo Kathleen Wilkinson as Brigitta. Firm of tone, well modulated, gracefully phrased and with good diction.”
Michael Kennedy – Opera Magazine review of Die Tote Stadt at The Royal Opera Covent Garden
“Kathleen Wilkinson’s strongly sung and characterised Mother Goose appeared well capable of running a brothel.”
The Stage review of The Rake’s Progress at The Royal Opera House Covent Garden
“Ce sens des caractères suscite une vie scénique intense, suractive, qui profite avant tout à quelques chanteurs acteurs surprenants. Auntie, la formidable Kathleen Wilkinson, décidément plutôt bonne fille que maquerelle.”
Review in Concertclassic of Peter Grimes by Jean-Charles Hoffelé at Opéra de Lyon