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“The best singing came from British mezzo Kathleen Wilkinson as Brigitta. Firm of tone, well modulated, gracefully phrased and with good diction.”Michael Kennedy – Opera Magazine review of Die Tote Stadt at The Royal Opera Covent Garden
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“Kathleen Wilkinson’s strongly sung and characterised Mother Goose appeared well capable of running a brothel.”The Stage review of The Rake’s Progress at The Royal Opera House Covent Garden
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“Ce sens des caractères suscite une vie scénique intense, suractive, qui profite avant tout à quelques chanteurs acteurs surprenants. Auntie, la formidable Kathleen Wilkinson, décidément plutôt bonne fille que maquerelle.”Review in Concertclassic of Peter Grimes by Jean-Charles Hoffelé at Opéra de Lyon
